This short four-part motet, O Lux Beata Trinitas, plays upon the idea of the Trinity by assigning each voice only three notes. Contemplative and deeply expressive in character, it is most suited to liturgical use, yet its austere beauty would enhance any concert programme of a cappella choral music.
Composer:Emma Brown Publication date: March 2019 Instruments: SATB a cappella Format: vocal score Duration:c.3' Pages: 4 ISMN: 979 0 708146 82 7 Code:HH471.CHS Price: £1.65 More information
Wolff’s Concerto in C major for flute, strings and basso continuo has the customary three movements (Allegro Moderato, Affettuoso, Allegro), all of which are extended in form and poetic in expression, often using striking dynamic contrasts and orchestral unison writing in a way that prefigures the Sturm und Drang of the 1760s. The third movement is a true ‘applause finale’, putting the soloist through some challenging technical hoops.
Composer:Christian Michael Wolff Publication date: February 2019 Instruments: Flute and strings Format: Full score Duration:c.15' Series:Baroque Pages: xii/31 ISMN: 979 0 708146 76 6 ISBN: 978 1 910359 73 0 Code:HH466.FSC Price: £14.50
“Edition HH rightly have a reputation for attractive publications and this is another, produced with their usual care and attention to detail and complimented by Professor Michael Talbot’s exemplary scholarship. Early flute concertos of this quality are thin on the ground and this is a gem. I recommend it very highly.”
For the first time in modern edition, is the fourth in our series of Johann Nepomuk Hummel’s superb arrangements of seven of Mozart’s piano concertos, the Concerto in C minor, K491.Read full description
Editor:Leonardo Miucci Publication date: June 2017 Instruments: Flute, violin, violoncello, pianoforte Format: Full score and parts Pages: xviii/45 + 3 x 16 ISMN: 979 0 708146 44 5 ISBN: 978 1 910359 51 8 Code: HH439.FSP Price: £39.00 more information
“The changes to the originals in these transcriptions reflect both the aesthetic and technical developments of this period and also Hummel’s unique appreciation of how Mozart actually performed these pieces. ”
Among Vienna’s many composers and pianists and pianists of the time, Anton Eberl (1765–1807) was the one considered most worthy of comparison with Beethoven. His Sonata in B flat major, Op. 35, the last of seven sonatas with violin, was composed around 1805 and dedicated to the Princess Bretzenheim (Maria Walburga). This was one of the final pieces Eberl composed before his premature death,
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Composer:Anton Eberl Editor:Martin Harlow Publication date: November 2017 Instrument: Violin, & pianoforte Format: Full score and parts Duration:c.20' Series:@Beethoven Pages: x/33 + 16 ISMN: 979 0 708146 25 4 ISBN: 978 1 910359 39 6 Code:HH424.FSP Price: £18.50 More information
Den lille danserinnen (‘The Little Ballerina’) evokes a charming, gracious, light-footed dancer, while Nocturne makes the piano sing in the romantic tradition. Both these delightful short pieces would be ideal encores!
Composer:Christian Hartmannn Publication date: April 2016 Instruments: Piano Format: Performing score Duration:c.4' Pages: iii/4 ISMN: 979 0 708146 15 5 Code: HH398.SOL Price: £7.95 More information
Music example (pdf)
Music example (pdf)
