 |
Click the blue links for more information |
Click the image to order |
 |
|
|
| Iberian Refractions was written in response to a piece of Old Hispanic medieval chant. Movement by movement, the chant melody gradually infiltrates all aspects of the works’s foreground melodic structure, its harmonic backbone and its core inner detail, intensifying as the piece unfolds.
Read full description
|
| 
|
| George Berg (1730–75) was a London organist and harpsichord teacher. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works.
continue reading
|
| 
|
| Simon Balicourt (1706–1757), during a London career that lasted from 1735 (the year he arrived from the Continent) until his death, was a leading flautist and flute composer. Suitable for both educational use and concert performance, these pieces – now appearing for the first time in a modern critical edition – deserve a place at the forefront of the late baroque repertory for transverse flute.
continue reading
|
| 
|
NEW TITLE FOR THE ASSOCIATED BOARD SYLLABUS
FLUTE
| “Edition HH strikes gold once more with the beautifully clear publication of the flute concerto in E minor by August Eberhard Müller (1767-1817), edited by Christopher Hogwood and Nikolai Jaeger.”
continue reading
|
|
|
ed. Christopher Hogwood | Nikolai Jaeger
|
| 
|
NEW TITLE FOR THE ASSOCIATED BOARD SYLLABUS
OBOE
| “And there’s a delicious surprise – a glorious Sonatina by Walmisley, in a new edition by Christopher Hogwood.” (The Observer)
continue reading
|
| 
|
.
Recently reviewed:
.
.
Links to some of our recent publications
.
BAROQUE
| | | | | | | | |
Music example (pdf)
Music example pdf) 
