Michele Mascitti (1663/4–1760), a Neapolitan violinist and composer who settled in Paris, did more than anyone to acclimatize the Italian sonata to a French setting. His divertissement Psiché, a ten-movement suite for violin and basso continuo, is unique among his works in having a programmatic basis. It depicts episodes from the famous romantic story of Psyche and Cupid as related in the Latin novel generally known by the name ‘The Golden Ass’ by the second-century author Apuleius. At the same time, this is Mascitti’s most overt homage to his adoptive country, since several movements in it go further in the direction of the French style than anything else from his pen. It expresses, among other things, Cupid’s rage at Psyche’s discovery of his identity, her airborne travel powered by the winds, and the tenderness between the two lovers after their reconciliation. This is a highly original and immediately attractive work.