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In his day, Carl Fasch was regarded as the true successor to C. P. E. Bach. This final (third) volume of the composer's complete keyboard works includes his four sets of extended variations, containing some impressive displays of virtuosity, and a variety of shorter pieces, the majority previously unpublished. The whole three-volume keyboard cycle provides the modern player with remarkable, high-quality new repertoire for performance on the clavichord, harpsichord, or fortepiano.
Editor: Christopher Hogwood
Publication date: June 2013
Instruments: Clavichord, Harpsichord, Fortepiano, Piano
Format: Playing score
Pages: xxv/48
ISMN: 979 0 708092 51 3
ISBN: 978 1 905779 90 0
Code: HH302.SOL
Price: £24.95 more info
This edition is both practical and elegant [...] my belief in this brilliant edition’s imminent popularity. Volume 1 reviewed in The British Clavichord Society Newsletter
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This anthology celebrates the life and work of Mabel Dolmetsch (1874–1963) on the fiftieth anniversary of her death. It brings together timeless melodies such as Belle qui tiens ma vie and Heartsease, sixteenth-century dances from the Medici Manuscript in the Dolmetsch Library, and examples from the French viol repertoire, including Récit de la viole seule et Sarabande from the Sonate for eight instruments by Marc-Antoine Charpentier and pieces by Sainte-Colombe, Jean-Baptiste Forqueray and Marin Marais.
Editor: Marguerite Dolmetsch
Publication date: May 2013
Instruments: Viola da Gamba and Harpsichord
Format: Full score and part
Pages: x/47 + 24
ISMN: 979 0 708092 79 7
ISBN: 978 1 905779 93 2
Code: HH322.FSP
Price: £24.95 more info
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Marc-Antoine Charpentier was unusual among his French contemporaries in setting a significant number of Italian texts, of which two of the most substantial are a pair of pastoralettes, ‘Amor vince ogni cosa’ and ‘Cupido dentr’al mio cuor’.
‘Amor vince ogni cosa’, a cantata-like work on the theme ‘true love conquers all’, nicely illustrates Charpentier’s integration of innovative Italian features into an essentially French musical style. Scored for five solo voices, two treble instruments and continuo, the work is also suitable for performance by larger forces.
Editor: Shirley Thompson
Publication date: May 2013
Instruments: Five voices, two Treble Instruments, Basso continuo
Format: Full score
Pages: xvi/40
ISMN: 979 0 708092 75 9
ISBN: 978 1 905779 94 9
Code: HH323.FSC
Price: £19.95 more info
Performance Material (Vocal score and parts in PDF format)
Code: HH323.IPT
Price: £19.95 more info
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The second volume of keyboard music by the reclusive Carl Fasch contains two unpublished sonatas (one in the unusual key of B flat minor) and his considerable output of “character pieces”, short descriptive works which justify contemporary opinion that he was the true successor to C. P. E. Bach. These individual vignettes are ideal for playing on either the clavichord or the fortepiano and provide an expressive foil to the first volume’s more extended and extrovert sonatas.
Editor: Christopher Hogwood
Publication date: April 2013
Instruments: Clavichord, Harpsichord, Fortepiano, Piano
Format: Playing score
Pages: xxiv/65
ISMN: 979 0 708092 50 6
ISBN: 978 1 905779 89 5
Code: HH301.SOL
Price: £32.00 more info
This edition is both practical and elegant [...] my belief in this brilliant edition’s imminent popularity. Volume 1 reviewed in The British Clavichord Society Newsletter
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Utmost Attack by Chi-Hin Leung has been selected to represent the Hong Kong Composers’ Guild at the International Rostrum of Composers to be held in Prague, 28–31 May 2013.
Publication date: March 2013
Instruments: Tuba quartet
Series: Contemporary
Format: Full score and parts
Pages: iv/8 + 4×8
ISMN: 979 0 708092 70 4
Duration: c.5'
Code: HH326.FSP
Price: £18.00 more info
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Entre Nous, written for the outstanding Norwegian cellist Jonathan Aasgaard, is one of a proposed series of three related works, all featuring solo cello. The title reflects the sense of collaboration at the heart of the project, and is, in this first piece of the set, a starting point for the music itself. In effect, two “voices” can be heard in dialogue through the work’s three movements — Talking it over, Just …, … saying — one gradually becoming more animated while a more lyrical and reflective voice attempts to keep things calm.
Publication date: February 2013
Instruments: Violoncello solo
Series: Contemporary
Format: Playing score
Pages: iii/9
ISMN: 979 0 708092 94 2
Duration: c.9'
Code: HH321.SOL
Price: £12.50 more info
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The present work, which has been realized and edited by the well-known British clarinettist Nicholas Cox, will be particularly suitable for reasonably advanced students of both modern and classical clarinets.
Editor: Nicholas Cox
Publication date: February 2013
Instruments: Clarinet and keyboard
Series: @MOZART
Format: Full score and instrumental part
Pages: xii/17 + 12
ISMN: 979 0 708092 69 8
ISBN: 978 1 905779 71 0
Code: HH259.FSP
Price: £13.50 more info
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Publication date: October 2012
Instruments: Winds, guitars, strings, tutti
Series: Contemporary
Format: Full score, instrumental parts on CD
Pages: vii/54 + 266 to be printed as needed
ISMN: 979 0 708092 63 6
Code: HH314.FSP
Price: £55.00 more info
The pieces from Ming Wangs A Childs Universe pass directly through the ear into the childs inner world, where the sounds and images are transformed into huge imaginative landscapes... They therefore succeed brilliantly in performance. Helmut Lorenz, Head of the renowned Musikschule der Stadt Burghausen
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Ensemble pieces for children
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The premise underlying The Clash of Icicles against the Stars is the Chinese concept of qi. Qi means ‘breath’, ‘air’ or ‘gas’ and signifies the energy flow or life force that is the fundamental sustaining element of existence. The piece explores the various air chambers of the three instruments for which it is written, with the accordion compressing and expanding its chamber to manufacture sound, while the sheng, China’s oldest wind instrument and the ancestor of the accordion, uses reed vibration in contrast to the reedless flute, whose embouchure hole provides the basis for timbral experimentation. The I Ching provides a symmetrical structural base, while Rimbaud’s poem ‘Barbarian’, with its highly emotional imagery, evokes the spatial range and temporal pace of The Clash of Icicles against the Stars.
Publication date: January 2013
Instruments: Flute, accordion, sheng
Series: Contemporary
Format: Full score and instrumental parts
Pages: iv/9 + 3x12
ISMN: 979 0 708092 71 1
Duration: c.20'
Code: HH320.FSP
Price: £29.00 more info
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Editor: Christopher Hogwood
Publication date: November 2012
Instruments: Flute, string quartet, piano ad lib.
Series: @HAYDN
Format: Full score and instrumental parts
Pages: xvi/54 + 8 + 4x12 + 14
ISMN: 979 0 708092 43 8
ISBN: 978 1 905779 83 3
Code: HH296.FSP
Price: £37.00 more info
As always, HH has produced an interesting and well edited publication. Early Music Review
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Editor: Christopher Hogwood
Instruments: Harpsichord, virginals, clavichord
Series: Early keyboard music
Format: Playing score
Pages: xiii/84
ISMN: 979 0 708024 47 4
ISBN: 1 904229 57 3
Code: HH074.SOL
Price: £33.00 more info
I would therefore recommend it to every keyboard-player to expand their expressive range and to every nonlutenist wanting to explore the music of Dowland, to learn about the art of variation, or to further their knowledge of this great composer. The Consort
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Editor: Andrew Woolley
Publication date: November 2010
Instruments: Transverse flute, keyboard
Format: Playing score and part
Pages: ix/28 + 12
ISMN: 979 0 708092 38 4
Code: HH272.KBD
Price: £15.95 more info
As is the case with the many fine editions of baroque repertoire that have been issued since the 1990s by this excellent publishing house, Edition HH, Woolley’s volume consists of well prepared and carefully proofread text, beautifully presented in a layout convenient to performers and scholars alike. Eighteenth-Century Music
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List of works published and in press |
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You can download the current catalogue (PDF, 2MB) by clicking the cover on the right. |
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